With this cute crop top Canadian designer Erin Kleinberg has cracked a real sartorial conundrum – what can you buy and wear now, that’ll see you through summer. Wear it now layered up with your usual bits, then keep it as the weather gets hotter, in your bag as a cover-up on the days when you don’t need a jacket. Her celeb fans including Blake Lively have spotted a right little find!

It’s cotton. It’s ripped. It’s a t-shirt and It’s $1,625 – one thousand, six hundred and twenty-five dollars – A cotton t-shirt with holes.

Unless this shirt’s inside is actually coated in gold leaf, whoever buys this one should book a ticket for the choo choo train.

“Doo .Ri is a Designer , but she is also a Creator . This is make up that has a unique point of view looking to create a style, an amazing woman. Powerful and a bit strange, yet gentle, cool and confident.” – Tom Pecheux

Get the Look

Make Up at Doo Ri

* EYE: Nehru Eye Shadow – softly shaded fro m the inner corner of the eye, through the crease and then applied to the eyebrows or a strong, grey effect. No mascara.
* FACE: Sculpt and Shape Foundation – applied to the skin. Mineralize Skinfinish Natural – dusted over the skin for a matte finish.
* LIP: Sculpt and Shape Foundation – patted onto the lips to mute the natural colour. Moon’s Reflection and Electric Eel Eye Shadow – blended and brushed onto lips to create a metallic baby blue soft focus.

The Result

Chanel Iman in Blue Lips

Make Up at Jason Wu

The designer paired dark plum (and cherry-red lips) with black tulle chignons — a nice change of pace. Would you try the look this spring?

“All the world’s a stage!” said Marc Jacobs backstage at his show. “Everything’s beautiful at the ballet! Life is a cabaret!”

His explanation for tonight’s collection only told part of the story. This season, the references came fast and furious: the models with their chalky, kabuki makeup and flat-platform soled slides, the clothes with their layers of ruffles and decoration and explorations into what goes under and over (satin bras went over little knits) and playful approach to proportions drew clearly from Japans of many eras. There were touches of the geisha (that makeup, those shoes), of Manga (those tight little buns), yet the greatest influence was that of Rei Kawakubo at Comme des Garçons.

In keeping with the theatrical aesthetic of the entire collection, makeup artist François Nars describes his inspiration as “ballerina, cabaret girl, Broadway show meets opera meets Martha Graham with a touch of gothic.” Watch to see the look applied.